Some people shun photo-etched brass altogether, but I love it -probably borders on a fetish!
Part of this was published in Scale Aviation Modeller International a while back, so I'm a legend in my own mind...right.
Here goes!
Firstly, ALWAYS protect pre-coloured or painted etched items with a
splosh of good ole Johnsons Future/Klear. This will inevitably form a
film over small holes in the parts. You can remove this with a toothpick
or fine needle if you wish, or leave it be if it is over an instrument face -it
will look like glazing. The relative flexibility of the Klear when dry
will allow subsequent shaping of the component without cracking, and you won't
scratch it to bejasus while bending and/or installing.
Secondly, removal of pieces from the fret can be tricky -this is what
works for me: don't bother with p/e-specific scissors; use a scalpel with
a very new blade, I find a small curved one works well (Swan Morton #15 is
ideal). DEFINITELY work on a solid surface, NOT a cutting mat.
Ceramic tiles can crack, so I use a granite-alike drinks coaster from
Sainsburys, it is black which is a good colour for keeping track of teeny items
once they are detatched. Don't be all macho when hacking very small
items, use a magnifying lens on a stand -'third hand' tools thus equipped are
ideal. This will enable you to align the blade EXACTLY with the edge of the
piece, so you should not be left with any burr where the fret attachment was.
Keep a finger on the actual component to hold it flat and cut with a
gentle pressure and a rocking motion until the attachment (NOT the finger) is
cleanly severed. Under no circumstances try to 'slice' through the
attachment, this can easily drag and distort the component. If you are removing very small items
(buckles, release toggles, levers, etc,) press the local part of the fret over
the sticky bit of a Post-It: this will prevent the dreaded 'ping into nowhere'
(or 'ping into your eye') event. Try to
cut as close to the item as possible to avoid leaving a burr –these are a pain
to remove once the part is released! It isn't always easy to see where the attachment points end on very small items, but as long as the edge of the part itself is right up against the edge of its reflected image in the side of the blade, you should get a clean separation.
It is useful to remove the remnant of the attachment point from the fret
after the component has been separated –this will avoid things snagging on it
later. Guess I forgot that a few times when I took
the pic!
So far so good for the likes of Eduard, Aires and that ilk. I know
that some etched frets (like those from Flightpath and the ones in certain
Dragon kits) are much heftier, and will admit
that special scissors may help here; otherwise patience, perseverance and
several blades are the only way out. As a caution, some blades can
fracture spectacularly under pressure (they are not really meant to hack
through metal!) so please use eye-protection.
OK, now you have a cleanly removed erm, widget -what to do with it?
Bending or shaping components is something for which I personally have never felt the need for
a folding tool (OK, OK, Beavis and Butthead please wait in the corridor); I reckon you can produce any simple or multiple folds/bends
with a steel rule, a blunt razor blade and the business ends of a set of jeweller's
flat-bit screwdrivers. Honest. But if you need to spend money on a glorified
clamp, don't let my astounding prowess dissuade you! Again, though, going
it 'bareback' really necessitates working over a Post-It, otherwise it is too
easy to accidentally flick a wee half-shaped thingy into oblivion.
A brief word about rolling: straightforward cylindrical or conical
shapes are easy enough, using a piece of tube or a pencil. But what of
objects like those diminutive placards in 1/48 scale? Some have to be
curved to fit the circumference of a landing gear leg or whatnot. How to
curve to an accurate diameter something that so nearly does not exist at all?
No problemo! Once the item is coated with Future/Klear, a length of
low-tack copier-invisible Sellotape is stuck over the TOP side (the Klear will
stop the printing being pulled off on removal). Now you can see the item
under the tape, you can roll it around something without it skewing. Use
rolling items of decreasing diameter and ensure that the final one is of a
slightly smaller diameter than the target surface curvature. The spring
inherent in the metal will always open it a little so it fits correctly without
'grinning' or leaving ends sticking up.
Occasionally, it is necessary to create compound shapes where a curved
element has to conform to the edges of other, flat surfaces (a throttle
quadrant, for example). Where these are
all supplied as part of a single component, it is often near impossible to
curve one section without distorting another.
Frankly, it is easier to separate the basic elements, shape them
individually and re-assemble them afterwards.
Regarding adhesive: this should go (sparingly!) on the target surface
rather than on the component. For tiny things, apply cyano gel or Gator’s
Grip with a sharp toothpick; the pointy white vinyl ones are good for fine
work.
Sheet items like instrument panels can be installed with more Future/Klear
or clear gloss varnish. Microscale Kristal Klear also works when used in
moderation, and none of these will frost the surface like most
cyano types do. Also, if you do misjudge the positioning, non-cyano glues
will let you gently prise the part away again without ruining it. If you
need to do this over a relatively large contact area, start with an ultra-thin
blade: a scalpel or craft blade is thick enough to crease the brass as it
lifts, even a razor blade will do that too. The thinnest blades I've found are made by Belini and are intended for a
corn removing tool -they will cause least damage.
To position the smallest components, the use of forceps or tweezers,
however fine, is likely to feel like you're wearing boxing gloves! My
solution: put a small bead of latex adhesive (Copydex or similar) on the end of
a toothpick. When it is FULLY dry, it will remain tacky enough to hold
the item and position it, but will release it once it hits the adhesive.
This is important: just touch the item with the
toothpick so it picks it up and holds it; it doesn't need to be stuck solidly
to it! Once in place, it can be fettled to the desired angle or attitude
with a 'bare' toothpick point or similar before the adhesive sets solid.
Once you have done this a few times (especially if you work in 1/72), you may feel that a promising career as a neurosurgeon awaits...
Photo-etched sets are increasingly expensive commodities; if applied successfully they make all the difference to a finished model.
I hope the foregoing will assist anyone who is not yet comfortable with them.
Have fun!
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